




UNTITLED TRIPTYCH
Executed in 1922 during Moholy-Nagy's Berlin period, Untitled (Geometrizing Chiaroscuro Structure) deploys cameraless photography to investigate light as sculptural material. The triptych presents translucent, amorphous forms generated by refracting light through crystal, with the central panel rendered as a negative contact print flanked by positive inversions. This formal inversion creates spatial ambiguity and dematerialization, transforming the photographic surface into a site of kinetic experimentation. Published in his seminal 1925 treatise Malerei, Fotografie, Film—where he first codified the term "photogram"—the work exemplifies his doctrine of Lichtgestaltung (Light Design) and his insistence on production over reproduction.
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